Albanian Connection: Albanian mafia takes control of Soho vice scene

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Sunday, December 18, 2005
Albanian mafia takes control of Soho vice scene
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By Ian Burrell, Home Affairs Correspondent 18 June 2001
The Albanian mafia has seized control of the Soho vice trade, according to a Home Office report.
In the space of less than a year, the ruthless Eastern European crime network has moved into almost all of the saunas and massage parlours in the heart of Britain's sex industry. The development is described as a "revolution" by one government source.
A Home Office briefing, seen by The Independent, says: "Around 70 per cent of sauna/massage parlours in London's Soho [are] now controlled by Albanians/Kosovars." The briefing said that the "tightening grip" of Albanian gangs on the vice trade was "changing the landscape" of Britain's sex industry. The Albanian mafia's establishment of a foothold in Britain is of deep concern to law enforcement agencies, which have been concerned by the crime network's growing presence in other parts of Europe.
A source said: "Twelve months ago, Albanian organised crime was not an issue for the UK. Their infiltration has been very swift."
Albanian gangs already control much of the vice in Greece, Germany and Italy, where they have been prepared to take on the Italian Mafia, particularly in Milan. The Home Office report follows a shocking study by Save the Children last March, which revealed that thousands of Albanian girls as young as 14 were being abducted from their families and sent overseas to work as prostitutes.
A concerted police raid on Soho brothels in February revealed that 80 per cent of women working as prostitutes were from overseas, mostly from the Balkans and Baltic states. According to the National Criminal Intelligence Service, Albanian women are also being moved to red light areas in the north of England and the Midlands. Nearly a decade ago it was predicted that Russian organised crime would seek to exert influence over the British vice trade but instead it is Albanian gangs that have taken control.
Inspector Paul Holmes, of the Metropolitan Police clubs and vice unit, said the Albanians had come to prominence "very rapidly" by striking a deal with the Maltese and East End London gangsters who have traditionally dominated the Soho vice scene. Inspector Holmes said he believed that 70 to 75 per cent of women working in UK brothels were now from Albania or were Kosovo Albanians.
"The Albanians have inserted their girls into the existing infrastructure [of brothels] but the women are being controlled by organised criminals," he said.
The arrival of the Albanian mafia has not yet led to violence. Inspector Holmes described the relationship between the Albanians and the traditional London vice rackets as "almost like a comfortable bedfellow thing.
"The people that run these places want a set level of money and don't care whether the girls are from Albania or Mars. But we are concerned at what will happen when the turf is full and the Albanians start setting up their own places."
Similar scenarios in Italy and Germany have led to violent clashes, with the Albanian gangs demonstrating that they are incomparably ruthless and heavily armed.
But some women's groups challenge the official view of Albanian prostitution in London. They argue that the women, many of whom are seeking asylum, are not being victimised and are grateful for an opportunity to earn money.
Niki Adams of the English Collective of Prostitutes said all the Albanian women she had met had claimed to be "working independently" and none had said they were exploited by criminal racketeers.
"There are a number of women in Soho who are sending money back to their families and have said to us, 'I am the only wage earner in my family'," she said.
Inspector Holmes said 90 per cent of the women knew they would be working as prostitutes when they left Albania but he rejected the idea that they were working independently. "What they believe is that once they have paid their debt bond they will be able to make significant money for themselves. The reality is completely different," he said. "At its most benign it is ruthless exploitation and at its most malevolent it is rape on a daily basis." Albanian prostitutes were terrified of giving evidence against their pimps in case of reprisals against their families, he said.
The problem of the Albanian mafia in Britain will be raised tomorrow in Edinburgh, when some of the world's foremost experts on organised crime will meet to discuss emerging trends at the Global Forum for Law Enforcement and National Security.
The guest speaker, Mark Galeotti, the director of the organised crime centre at Keele University, told The Independent that the Albanian mafia was "the key crime group emerging at the moment" in Britain.
The old territorial crime families were "increasingly dinosaurial", he said.
(c) ' The Independent', 2001, Reprinted for Fair Use Only
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    Video is the technology of capturing, recording, processing, transmitting, and reconstructing moving pictures, typically using celluloid film, electronic signals, or digital media, primarily for viewing on television or computer monitors. Video Game A video game is a computer game where a video display such as a monitor or television is the primary feedback device. The term "computer game" also includes games which display only text (and which can therefore theoretically be played on a teletypewriter) or which use other methods, such as sound or vibration, as their primary feedback device, but there are very few new games in these categories. There always must also be some sort of input device, usually in the form of button/joystick combinations (on arcade games), a keyboard & mouse/trackball combination (computer games), or a controller (console games), or a combination of any of the above. Also, more esoteric devices have been used for input (see also Game controller). Usually there are rules and goals, but in more open-ended games the player may be free to do whatever they like within the confines of the virtual universe. NOTES Blues - The Blues is a vocal and instrumental music form which emerged in the African-American community of the United States. Blues evolved from West African spirituals, work songs, field hollers, shouts and chants and has its earliest stylistic roots in West Africa. This musical form has been a major influence on later American and Western popular music, finding expression in ragtime, jazz, big bands, rhythm and blues, rock and roll and country music, as well as conventional pop songs and even modern classical music. Due to its powerful influence that spawned other major musical genres originating from America, blues can be regarded as the root of pop as well as American music.
    Hip Hop/Rap - Hip hop music (also referred to as rap or rap music) is a style of popular music. It is made up of two main components: rapping (MCing) and DJing (audio mixing and scratching). Along with breakdancing and graffiti (tagging) these are the four elements of hip hop, a cultural movement that was initiated by inner-city youth (mostly minorities such as African Americans and Latinos) in New York City in the early 1970s. Typically, hip hop music consists of one or more rappers who tell semi-autobiographic tales, often relating to a fictionalized counterpart, in an intensely rhythmic lyrical form making abundant use of techniques like assonance, alliteration, and rhyme. The rapper is accompanied by an instrumental track, usually referred to as a "beat", performed by a DJ, created by a producer, or one or more instrumentalists. This beat is often created using a sample of the percussion break of another song, usually a funk, rock, or soul recording. In addition to the beat other sounds are often sampled, synthesized, or performed. Sometimes a track can be instrumental, as a showcase of the skills of the DJ or producer.
    Rhythm and Blues - Rhythm and blues is a name for black popular music tradition. When speaking strictly of "rhythm 'n' blues", the term may refer to black pop-music from 1940s to 1960s that was not jazz nor blues but something more lightweight. The term "R&B" often refers to any contemporary black pop music. Early-1950s R&B music became popular with both black and white audiences, and popular records were often covered by white artists, leading to the development of rock and roll.A notable subgenre of rhythm 'n' blues was doo-wop, which put emphasis on polyphonic singing. In the early 1960s rhythm 'n' blues took influences from gospel and rock and roll and thus soul music was born. In the late 1960s, funk music started to evolve out of soul; by the 1970s funk had become its own subgenre that stressed complex, "funky" rhythm patterns and monotonistic compositions based on a riff or two. In the early to mid 1970s, hip hop music (also known as "rap") grew out of funk and reggae. Funk and soul music evolved into contemporary R&B (no longer an acronym) in the 1980s, which cross-pollinated with hip-hop for the rest of the 20th century and into the 21st century.
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